"Be Thankful for What You Got" is a soul song written and first performed by William DeVaughn. DeVaughn wrote "A Cadillac Don't Come Easy" eventually re-written to become "Be Thankful for What You Got" in 1972, and spent $900 toward its development[vague] to Omega Sound (a Philadelphia production house). The producers at Omega (Frank Fioravanti and sax player/ MFSB session group member, John Davis) decided to go for a strong groove with a smooth, almost jazzy arrangement, eventually booking time to record at Sigma Sound Studio in Philadelphia. The session featured members of the MFSB group — guitarist Norman Harris, drummer Earl Young, bassist Ron Baker, and vibist Vince Montana — secured by Allan Felder, who also developed the separate ad lib back-up chorus with his sister's vocal choir.[The B-Side of the single entitled "Diamond in the Back" was the same title adopted by Ludacris 2004][citation needed] Frank Fioravanti could have released the record on the company's own label Sound Gems, but it was just starting out and instead secured its release on the Roxbury Records record label, run by producer-songwriter Wes Farrell. The record sold nearly two million copies on its release in spring 1974, reaching #1 on the U.S. R&B charts and #4 on the Billboard Hot 100 chart. With a sound and content influenced by Curtis Mayfield (and often erroneously attributed to him), its simple and encouraging lyrics hit home, to the extent that it became featured on gospel radio stations. The edited version, which is the first part of the song, became a hit. The other half of the song is a longer instrumental with the repeated chords and rhythm before the final chorus comes in. The song is seven minutes long and radio stations preferred the sung portions over the instrumental portions. DeVaughn's second album Figures Can't Calculate (TEC, 1980) included a remake. The song is featured in the films Bug (2002), Be Cool (2005) and La Mission (2010). The song is referenced in the Parliament-Funkadelic song "P. Funk (Wants to Get Funked Up)", with the lyric: "Gangster lean; Y'all should dig my sun-roof top." The song was also referenced in the late guitarist Gabor Szabo's 1976 song, "Keep Smiling," except the "diamond in the back" lyric was changed to "digging the scene with a Philly lean," possibly referring to the song's co-author and producer (and Vaughn's Philadelphia International Records label-mate) Bunny Sigler. In the song "Still Fly" by Big Tymers the last verse mentions an 'old-school Caddy with a diamond in the back' and imitates DeVaughn's higher tone. The song is referenced in the Rihanna song "Shut Up and Drive (Rihanna song)", with the phrase: "I'm a fine-tuned super-sonic speed machine, with a sunroof top and a gangsta lean." The song was covered in 1974 by Arthur Lee and Love on their Reel to Real album; Reggae versions were done by Donovan Carless in 1974, Bunny Clarke (produced by Lee "Scratch" Perry) in 1975, and by Winston Curtis in 1984 (on World International Records); in 1991 by the British trip hop band Massive Attack on their album Blue Lines and by Peter Blakeley as the opening theme for the movie The Taking of Beverly Hills, by Yo La Tengo on its 1997 "Little Honda" EP and by Lawrence "Lipbone" Redding on his 2009 Science of Bootyism album. The song has been covered by Rumer (musician) in her EP "Love is the Answer". Massive Attack version Massive Attack's cover version, retitled "Be Thankful for What You've Got", was featured on their 1991 debut album Blue Lines. A music video was produced for the song; however, it was not released as a stand-alone commercial single. Instead, a remix by Paul Oakenfold was also included on their 1992 single release Massive Attack EP.
"Be Thankful for What You Got" is a soul song written and first performed by William DeVaughn.
ResponderEliminarDeVaughn wrote "A Cadillac Don't Come Easy" eventually re-written to become "Be Thankful for What You Got" in 1972, and spent $900 toward its development[vague] to Omega Sound (a Philadelphia production house). The producers at Omega (Frank Fioravanti and sax player/ MFSB session group member, John Davis) decided to go for a strong groove with a smooth, almost jazzy arrangement, eventually booking time to record at Sigma Sound Studio in Philadelphia.
The session featured members of the MFSB group — guitarist Norman Harris, drummer Earl Young, bassist Ron Baker, and vibist Vince Montana — secured by Allan Felder, who also developed the separate ad lib back-up chorus with his sister's vocal choir.[The B-Side of the single entitled "Diamond in the Back" was the same title adopted by Ludacris 2004][citation needed] Frank Fioravanti could have released the record on the company's own label Sound Gems, but it was just starting out and instead secured its release on the Roxbury Records record label, run by producer-songwriter Wes Farrell.
The record sold nearly two million copies on its release in spring 1974, reaching #1 on the U.S. R&B charts and #4 on the Billboard Hot 100 chart. With a sound and content influenced by Curtis Mayfield (and often erroneously attributed to him), its simple and encouraging lyrics hit home, to the extent that it became featured on gospel radio stations.
The edited version, which is the first part of the song, became a hit. The other half of the song is a longer instrumental with the repeated chords and rhythm before the final chorus comes in. The song is seven minutes long and radio stations preferred the sung portions over the instrumental portions.
DeVaughn's second album Figures Can't Calculate (TEC, 1980) included a remake.
The song is featured in the films Bug (2002), Be Cool (2005) and La Mission (2010).
The song is referenced in the Parliament-Funkadelic song "P. Funk (Wants to Get Funked Up)", with the lyric: "Gangster lean; Y'all should dig my sun-roof top."
The song was also referenced in the late guitarist Gabor Szabo's 1976 song, "Keep Smiling," except the "diamond in the back" lyric was changed to "digging the scene with a Philly lean," possibly referring to the song's co-author and producer (and Vaughn's Philadelphia International Records label-mate) Bunny Sigler.
In the song "Still Fly" by Big Tymers the last verse mentions an 'old-school Caddy with a diamond in the back' and imitates DeVaughn's higher tone.
The song is referenced in the Rihanna song "Shut Up and Drive (Rihanna song)", with the phrase: "I'm a fine-tuned super-sonic speed machine, with a sunroof top and a gangsta lean."
The song was covered in 1974 by Arthur Lee and Love on their Reel to Real album; Reggae versions were done by Donovan Carless in 1974, Bunny Clarke (produced by Lee "Scratch" Perry) in 1975, and by Winston Curtis in 1984 (on World International Records); in 1991 by the British trip hop band Massive Attack on their album Blue Lines and by Peter Blakeley as the opening theme for the movie The Taking of Beverly Hills, by Yo La Tengo on its 1997 "Little Honda" EP and by Lawrence "Lipbone" Redding on his 2009 Science of Bootyism album.
The song has been covered by Rumer (musician) in her EP "Love is the Answer".
Massive Attack version
Massive Attack's cover version, retitled "Be Thankful for What You've Got", was featured on their 1991 debut album Blue Lines. A music video was produced for the song; however, it was not released as a stand-alone commercial single. Instead, a remix by Paul Oakenfold was also included on their 1992 single release Massive Attack EP.