lunes, 11 de noviembre de 2013

Throbbing Gristle - Distant Dreams (Part Two) - 1980


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  1. And so we exist
    So we do not
    And these times
    They are just passing
    They are not real
    They happen
    We pass through time
    As it happens

    We never begin
    To play for time
    To play around
    To have nothing to play for
    To have nothing to lose
    To lose everything

    The thing I never mentioned
    That defines my sense of death
    It is love
    It is love
    This is love
    Love lost in time's game of chance
    Love lost in time's game of chance

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  2. Love lost in time's game of chanceAdrenalin/Distant Dreams (Part Two) is a single by Throbbing Gristle.
    Simultaneously released with Subhuman/Something Came Over Me. Center labels of TG lightning flash logo with black central stripe and red flash. Messages "Second Attempt" and "rident Rool" on Adrenalin side in center. Picture sleeve in black and white. Sold in camouflage printed plastic bag. It reached No. 26 in the UK Indie Chart.
    Throbbing Gristle were an English music and visual arts group formed in 1976 in Kingston upon Hull. The band comprised Genesis P-Orridge (born Neil Megson; bass guitar, violin, vocals, vibraphone), Cosey Fanni Tutti (born Christine Newby; guitars, cornet, vocals), Peter "Sleazy" Christopherson (tapes, found sounds, horns, piano, vibraphone, synthesizer) and Chris Carter (synthesizers, tapes, electronics).
    Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle are widely viewed as early pioneers of industrial music. They disbanded in 1981, but the individual members went on to participate in other projects, and reformed in 2004 for a second stint before disbanding again in 2010 after the death of Christopherson.

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  3. First era: 1976–1981
    Throbbing Gristle evolved from the performance art group COUM Transmissions, which was formed in Kingston upon Hull by a group of performers centred on Genesis P-Orridge and Cosey Fanni Tutti. The final performance of COUM Transmissions in 1976 was also the debut of Throbbing Gristle.
    Throbbing Gristle's confrontational live performances and use of often disturbing imagery, including pornography and photographs of Nazi concentration camps, gave the group a notorious reputation. However, the group always maintained that their mission was to challenge and explore the darker and obsessive sides of the human condition rather than to make attractive music. Throbbing Gristle made extensive use of pre-recorded tape-based samples and special effects to produce a distinctive, highly distorted background, usually accompanied by lyrics or spoken-word performances by Cosey Fanni Tutti or Genesis P-Orridge. Though they asserted they wanted to provoke their audience into thinking for themselves rather than pushing any specific agenda (as evidenced by the song "Don't Do As You're Told, Do As You Think" on Heathen Earth), Throbbing Gristle also frequently associated with the anarchist punk scene. They appeared in the fanzine Toxic Grafity, with a condensation of their own propaganda parody series, Industrial News.
    In 1977, they released their debut single, "United"/"Zyklon B Zombie", followed by an album, The Second Annual Report. Although pressed in a limited initial run of 786 copies on the band's own Industrial Records label, it was later re-released on Mute Records due to high demand; however, this later release was reversed with all tracks playing backwards and in reverse order. This was followed by a series of albums, singles and live performances over a four-year period.
    On 29 May 1981, Throbbing Gristle performed at the Kezar Pavilion in San Francisco, California, United States. This concert marked the end of the group and its mission. As Cosey succinctly put it, "TG broke up because me and Gen broke up".
    Genesis P-Orridge and Peter Christopherson went on to form Psychic TV, while Cosey Fanni Tutti and Carter continued to record together under the names of Chris and Cosey, Carter Tutti and Creative Technology Institute. Christopherson later went on to become half of the band Coil with his partner and fellow Psychic TV member, John Balance. Meanwhile, Gen (now known as Genesis Breyer P-Orridge) subsequently formed Thee Majesty and PTV3 with the help of their wife, Jacqueline "Jaye" Breyer

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  4. Legacy
    The band is widely viewed as having created the industrial music genre, along with contemporaries Cabaret Voltaire. The term was coined in the mid-1970s with the founding of Industrial Records by Genesis P-Orridge of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album The Second Annual Report, they coined the slogan "industrial music for industrial people." The first wave of this music appeared with Throbbing Gristle, from London; Cabaret Voltaire, from Sheffield.

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